{
  "slug": "samba",
  "name": "Samba",
  "aliases": [
    "samba carioca",
    "samba de roda",
    "pagode",
    "samba-canção"
  ],
  "description": "Rio de Janeiro's national music, out of the Bahian communities of the Praça Onze district and onto record in 1917. Built from interlocking percussion and a syncopation that lands everywhere except where a European ear expects it.",
  "origin": {
    "place": "Rio de Janeiro, Brazil",
    "year": 1917
  },
  "lineage": [],
  "bpm": {
    "min": 90,
    "max": 140
  },
  "updated": "2026-08-30",
  "url": "https://waxonia.com/genre/samba/",
  "trackCount": 8,
  "curatedBy": [],
  "playlists": {},
  "tracks": [
    {
      "rank": 1,
      "trackKey": "ary-barroso--aquarela-do-brasil",
      "trackUrl": "https://waxonia.com/track/ary-barroso--aquarela-do-brasil/",
      "title": "Aquarela do Brasil",
      "artist": "Ary Barroso",
      "artistUrl": "https://waxonia.com/artist/ary-barroso/",
      "year": 1939,
      "label": null,
      "isrc": null,
      "whyItMatters": "The samba-exaltação, written in one night during a rainstorm, and the tune the rest of the world means when it says Brazil. Grandiose, and it earns it.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Ary%20Barroso%20Aquarela%20do%20Brasil",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=OJfOG6pbnvI",
          "exact": true
        }
      }
    },
    {
      "rank": 2,
      "trackKey": "donga--pelo-telefone",
      "trackUrl": "https://waxonia.com/track/donga--pelo-telefone/",
      "title": "Pelo Telefone",
      "artist": "Donga",
      "artistUrl": "https://waxonia.com/artist/donga/",
      "year": 1917,
      "label": null,
      "isrc": null,
      "whyItMatters": "The first record registered as a samba, and its authorship was disputed immediately by everyone who had been in the room. A fair beginning for a collective music.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Donga%20Pelo%20Telefone",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=m0LyMqdicj8",
          "exact": true
        }
      }
    },
    {
      "rank": 3,
      "trackKey": "pixinguinha--carinhoso",
      "trackUrl": "https://waxonia.com/track/pixinguinha--carinhoso/",
      "title": "Carinhoso",
      "artist": "Pixinguinha",
      "artistUrl": "https://waxonia.com/artist/pixinguinha/",
      "year": 1937,
      "label": null,
      "isrc": null,
      "whyItMatters": "Choro rather than strict samba, by the greatest Brazilian musician of the century, and the most loved melody in the country. Booed as too American when it appeared.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Pixinguinha%20Carinhoso",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=7217Xga4zOw",
          "exact": true
        }
      }
    },
    {
      "rank": 4,
      "trackKey": "ze-keti--a-voz-do-morro",
      "trackUrl": "https://waxonia.com/track/ze-keti--a-voz-do-morro/",
      "title": "A Voz do Morro",
      "artist": "Zé Kéti",
      "artistUrl": "https://waxonia.com/artist/ze-keti/",
      "year": 1955,
      "label": null,
      "isrc": null,
      "whyItMatters": "\"I am samba\" — a song that argues the music belongs to the hillside favelas rather than to the studios below. It won the argument.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Z%C3%A9%20K%C3%A9ti%20A%20Voz%20do%20Morro",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=pebcDCvtJKE",
          "exact": true
        }
      }
    },
    {
      "rank": 5,
      "trackKey": "elizeth-cardoso--coisa-mais-linda",
      "trackUrl": "https://waxonia.com/track/elizeth-cardoso--coisa-mais-linda/",
      "title": "Coisa Mais Linda",
      "artist": "Elizeth Cardoso",
      "artistUrl": "https://waxonia.com/artist/elizeth-cardoso/",
      "year": 1959,
      "label": null,
      "isrc": null,
      "whyItMatters": "Cardoso is the bridge from samba-canção to what came next; her 1958 sessions with João Gilberto are usually called the first bossa nova record. This is the older art at its most refined.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Elizeth%20Cardoso%20Coisa%20Mais%20Linda",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=hSX1kB-t_OQ",
          "exact": true
        }
      }
    },
    {
      "rank": 6,
      "trackKey": "zeca-pagodinho--deixa-a-vida-me-levar",
      "trackUrl": "https://waxonia.com/track/zeca-pagodinho--deixa-a-vida-me-levar/",
      "title": "Deixa a Vida Me Levar",
      "artist": "Zeca Pagodinho",
      "artistUrl": "https://waxonia.com/artist/zeca-pagodinho/",
      "year": 2002,
      "label": "Universal",
      "isrc": null,
      "whyItMatters": "Pagode, the backyard variety, sung by a man with no interest in appearing to try. Proof the tradition kept producing standards long after the tourists moved on.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Zeca%20Pagodinho%20Deixa%20a%20Vida%20Me%20Levar",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=oTREAvZbmME",
          "exact": true
        }
      }
    },
    {
      "rank": 7,
      "trackKey": "baden-powell--canto-de-ossanha",
      "trackUrl": "https://waxonia.com/track/baden-powell--canto-de-ossanha/",
      "title": "Canto de Ossanha",
      "artist": "Baden Powell",
      "artistUrl": "https://waxonia.com/artist/baden-powell/",
      "year": 1966,
      "label": null,
      "isrc": null,
      "whyItMatters": "Afro-sambas — Powell and Vinicius de Moraes going to the candomblé terreiros for melodies and coming back with something darker than bossa allowed.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Baden%20Powell%20Canto%20de%20Ossanha",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=NQKIVYlBKdc",
          "exact": true
        }
      }
    },
    {
      "rank": 8,
      "trackKey": "adoniran-barbosa--trem-das-onze",
      "trackUrl": "https://waxonia.com/track/adoniran-barbosa--trem-das-onze/",
      "title": "Trem das Onze",
      "artist": "Adoniran Barbosa",
      "artistUrl": "https://waxonia.com/artist/adoniran-barbosa/",
      "year": 1964,
      "label": null,
      "isrc": null,
      "whyItMatters": "São Paulo, not Rio, and a man explaining he cannot stay because his mother will worry and he must catch the eleven o'clock train. Comic, sad and perfectly built.",
      "alsoOn": [],
      "links": {
        "spotify": {
          "url": "https://open.spotify.com/search/Adoniran%20Barbosa%20Trem%20das%20Onze",
          "exact": false
        },
        "youtubeMusic": {
          "url": "https://music.youtube.com/watch?v=RkkGVgOqPuM",
          "exact": true
        }
      }
    }
  ]
}