# The 10 Best Disco Tracks of All Time

Funk rebuilt for a room where the record never stops. A four-on-the-floor kick, strings, and an extended arrangement designed for a DJ rather than for radio — the first popular music written for the mix.

- **Origin:** New York City, 1974
- **Tempo:** 110–130 BPM
- **Also known as:** four on the floor, philly soul, garage disco
- **Tracks:** 10
- **Updated:** 2026-08-29
- **Canonical page:** https://waxonia.com/genre/disco/

## Curators on Disco

- [The Waxonia Desk](https://waxonia.com/artist/the-desk/): 5 picks. Five records whose lives were decided in a booth rather than on radio — a closing ritual, a flop rescued by a mix, the first commercial twelve-inch, and a record a London sound system took its name from.

## The list

### 1. [Donna Summer](https://waxonia.com/artist/donna-summer/) — [I Feel Love](https://waxonia.com/track/donna-summer--i-feel-love/)

*1977 · Casablanca*

Giorgio Moroder replaces the band with a Moog sequencer and Summer sings over the top as though nothing unusual is happening. Brian Eno called it the future, correctly, and it is still arriving.

Also on: [Roots](https://waxonia.com/theme/the-desk-roots/), [The Waxonia Desk — The Hundred](https://waxonia.com/selection/the-desk-the-hundred/).

[Search Spotify](https://open.spotify.com/search/Donna%20Summer%20I%20Feel%20Love) · [YouTube Music](https://music.youtube.com/watch?v=yEbaeLv-aOo)

### 2. [MFSB](https://waxonia.com/artist/mfsb/) — [Love Is the Message](https://waxonia.com/track/mfsb--love-is-the-message/)

*1973 · Philadelphia International*

The house band of Philadelphia soul cut the record that became the closing ritual of the Paradise Garage. Not a song so much as a structure DJs spent a decade learning to use.

Also on: [The Waxonia Desk — The Hundred](https://waxonia.com/selection/the-desk-the-hundred/), [The Waxonia Desk — What the DJs Kept](https://waxonia.com/selection/the-desk-what-the-djs-kept/).

[Search Spotify](https://open.spotify.com/search/MFSB%20Love%20Is%20the%20Message) · [YouTube Music](https://music.youtube.com/watch?v=7b1umcmfaXY)

### 3. [Chic](https://waxonia.com/artist/chic/) — [Good Times](https://waxonia.com/track/chic--good-times/)

*1979 · Atlantic*

Bernard Edwards plays the bassline that hip-hop, post-punk and pop all borrowed within eighteen months. Nile Rodgers leaves so much space in the guitar part that other people's records fit inside it.

Also on: [The Waxonia Desk — The Hundred](https://waxonia.com/selection/the-desk-the-hundred/), [The Waxonia Desk — What the DJs Kept](https://waxonia.com/selection/the-desk-what-the-djs-kept/).

[Search Spotify](https://open.spotify.com/search/Chic%20Good%20Times) · [YouTube Music](https://music.youtube.com/watch?v=iGKQapswGaY)

### 4. [Diana Ross](https://waxonia.com/artist/diana-ross/) — [Love Hangover](https://waxonia.com/track/diana-ross--love-hangover/)

*1976 · Motown*

Starts as a slow burn and doubles its tempo halfway through, which no pop single had any business doing. A Motown legend audibly enjoying the fact that the rules had changed.

[Search Spotify](https://open.spotify.com/search/Diana%20Ross%20Love%20Hangover) · [YouTube Music](https://music.youtube.com/watch?v=Y9-7rcKxIc8)

### 5. [Double Exposure](https://waxonia.com/artist/double-exposure/) — [Ten Percent](https://waxonia.com/track/double-exposure--ten-percent/)

*1976 · Salsoul*

Walter Gibbons's remix was the first commercially released twelve-inch single, and it invented the job. Everything a remixer does — extend, strip, delay the payoff — is already fully formed here.

Also on: [The Waxonia Desk — The Hundred](https://waxonia.com/selection/the-desk-the-hundred/), [The Waxonia Desk — What the DJs Kept](https://waxonia.com/selection/the-desk-what-the-djs-kept/).

[Search Spotify](https://open.spotify.com/search/Double%20Exposure%20Ten%20Percent) · [YouTube Music](https://music.youtube.com/watch?v=rP0EPsS3OdQ)

### 6. [First Choice](https://waxonia.com/artist/first-choice/) — [Doctor Love](https://waxonia.com/track/first-choice--doctor-love/)

*1977 · Gold Mind*

Philadelphia grandeur with an unusually mean bassline. Chicago producers sampled it so relentlessly through the eighties that it functions as a founding text for house as much as for disco.

[Search Spotify](https://open.spotify.com/search/First%20Choice%20Doctor%20Love) · [YouTube Music](https://music.youtube.com/watch?v=q2RSniyYNSc)

### 7. [Loose Joints](https://waxonia.com/artist/loose-joints/) — [Is It All Over My Face](https://waxonia.com/track/loose-joints--is-it-all-over-my-face/)

*1980 · West End*

Arthur Russell's downtown art project, rescued by a Larry Levan mix that turns a shambles into a groove. The record where disco stops being glossy and starts being strange, which is exactly where house picks it up.

Also on: [The Waxonia Desk — In the Room](https://waxonia.com/selection/the-desk-chicago-in-the-room/), [The Waxonia Desk — What the DJs Kept](https://waxonia.com/selection/the-desk-what-the-djs-kept/).

[Search Spotify](https://open.spotify.com/search/Loose%20Joints%20Is%20It%20All%20Over%20My%20Face) · [YouTube Music](https://music.youtube.com/watch?v=hn27RiqRj7s)

### 8. [Love Unlimited Orchestra](https://waxonia.com/artist/love-unlimited-orchestra/) — [Love's Theme](https://waxonia.com/track/love-unlimited-orchestra--loves-theme/)

*1973 · 20th Century*

An instrumental of wah-wah guitar and forty strings that went to number one in America. Barry White proved a dance record needed no vocal, no hook and no chorus — only an arrangement.

[Search Spotify](https://open.spotify.com/search/Love%20Unlimited%20Orchestra%20Love's%20Theme) · [YouTube Music](https://music.youtube.com/watch?v=5blygUa_Uxg)

### 9. [Thelma Houston](https://waxonia.com/artist/thelma-houston/) — [Don't Leave Me This Way](https://waxonia.com/track/thelma-houston--dont-leave-me-this-way/)

*1976 · Tamla*

The greatest vocal performance in the genre, delivered against an arrangement that keeps withholding the release. Houston sounds like she is negotiating rather than pleading.

[Search Spotify](https://open.spotify.com/search/Thelma%20Houston%20Don't%20Leave%20Me%20This%20Way) · [YouTube Music](https://music.youtube.com/watch?v=rUdw7V-FC_Q)

### 10. [Labelle](https://waxonia.com/artist/labelle/) — [Lady Marmalade](https://waxonia.com/track/labelle--lady-marmalade/)

*1974 · Epic*

New Orleans funk, a Broadway-scale vocal and a lyric that got it banned in several places. Disco at its most confrontational, and a reminder that the genre's politics were never incidental to it.

[Search Spotify](https://open.spotify.com/search/Labelle%20Lady%20Marmalade) · [YouTube Music](https://music.youtube.com/watch?v=ku7W0BZcxdw)

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Hand-curated by Waxonia. We host no audio; all links point to streaming platforms.
