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The 7 Best Amapiano Tracks of All Time

Gauteng's deep-house descendant, built on jazzy piano chords, shuffling percussion and a bending synthetic bass note called the log drum. Slow, spacious, endlessly extendable, and by the twenties the most exported South African music ever made.

Origin
Gauteng, South Africa, 2012
Tempo
110–118 BPM
Also known as
piano, yanos, log drum
Tracks
7
Updated
2026-08-29

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  1. Number 1: Kabza De Small featuring Leehleza / Umshove

    2018

    One of the first amapiano tracks to carry a vocal, and the one that introduced most South Africans to the genre and to its most prolific producer. The log drum arrives fully formed.

  2. Number 2: Focalistic featuring Vigro Deep / Ke Star

    2020

    Sepedi rap over a piano loop, and the record that made amapiano continental rather than national. The bassline does almost nothing and is the whole reason it works.

    Also on The Waxonia Desk — The Hundred

  3. Number 3: MFR Souls featuring Major League Djz, Kamo Mphela and Bontle Smith / Amanikiniki

    2020

    By a duo some credit with naming the genre. Platinum in South Africa, and a good demonstration that amapiano's hooks are usually carried by the dancers rather than the singer.

  4. Number 4: Young Stunna featuring Kabza De Small and DJ Maphorisa / Adiwele

    2021

    The vocal record that proved the form could carry real singing without speeding up. Notumato is the album most likely to survive as the genre's canonical statement.

  5. Number 5: Mr JazziQ featuring Lady Du, Kabza De Small and Boohle / Woza

    2021

    Amapiano at its most extroverted — five names on the credit, a chant instead of a chorus, and an arrangement that keeps handing the track to somebody else.

  6. Number 6: Semi Tee featuring Miano and Kammu Dee / Labantwana Ama Uber

    2019

    An early landmark, and the point where the log drum stops being one sound among several and becomes the thing the whole arrangement is built to display.

  7. Number 7: Tyler ICU & Tumelo ZA / Mnike

    2023

    Number one in South Africa and unavoidable everywhere else within a month. Ten years after the genre started, its biggest record is still built from a loop, a chant and a bending bass note.

    Also on The Waxonia Desk — The Hundred