Waxonia
Filters

Bleep Techno

The 6 Best Bleep Techno Tracks of All Time

Sheffield and Leeds, 1989: Detroit's sequenced tones stripped to a few sine bleeps and dropped over sub-bass borrowed from Jamaican sound systems. The first British techno that sounded like nowhere in America.

Origin
Sheffield and Leeds, England, 1989
Tempo
118–135 BPM
Also known as
bleep, bleep and bass, yorkshire bleep, warp
Tracks
6
Updated
2026-08-31

Listen to the whole list

Play it through here →One record after another, with the verdicts

Take this list to YouTube → (opens in a new tab)

Opens the list on YouTube as a playlist you can save to your own account. We never see your account, and nothing is stored here.

  1. Number 1: LFO / LFO

    1990 · Warp

    A test tone, a bassline and their own name spoken over it, and it reached number twelve in the national chart. Nothing else on the radio that year was remotely this austere.

    Also on Warp

  2. Number 2: Forgemasters / Track With No Name

    1989 · Warp

    Warp's first release, funded by an enterprise grant, named after a Sheffield steelworks. The label that later signed Aphex Twin and Boards of Canada starts exactly here.

    Also on The Eighties, Warp

  3. Number 3: Unique 3 / The Theme

    1989

    Bradford, and usually credited as the first bleep record. The bass is doing something no Detroit producer had asked a bassline to do.

  4. Number 4: Sweet Exorcist / Testone

    1990 · Warp

    Richard H. Kirk of Cabaret Voltaire with DJ Parrot, making a record out of calibration tones. Sheffield's industrial past and its dance present in one object.

    Also on Warp

  5. Number 5: Nightmares on Wax / Dextrous

    1989 · Warp

    Leeds, and considerably warmer than its neighbours here. George Evelyn was already writing tunes while everyone else was still testing speakers.

    Also on Twice Over, Warp

  6. Number 6: Tricky Disco / Tricky Disco

    1990 · Warp

    Silly, insistent, and a top twenty hit. Bleep's brief pop moment, before the whole scene sped up into hardcore and left the tempo behind.