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The 9 best Country tracks of all time

Country

The commercial music of the white rural South, from the 1927 Bristol sessions onward: Scots-Irish ballad structure, blues phrasing and a lyric convention that prizes the plain statement over the clever one.

Autoplay · All 9 play here · plays through and starts again

  1. Hank Williams / I'm So Lonesome I Could Cry

    1949 · MGM

    A whippoorwill, a falling star and a man who cannot say the thing directly. The most imitated lyric in American songwriting, and nobody has bettered it.

  2. Johnny Cash / Ring of Fire

    1963 · Columbia

    Mariachi trumpets on a country record, which was June Carter's song about falling for a man who was bad news. Cash sang it for forty years and never explained.

  3. Dolly Parton / Jolene

    1973 · RCA

    Two chords, a plea to another woman, and not a wasted syllable. Parton wrote it in one evening alongside I Will Always Love You, which is an unreasonable evening.

  4. The Carter Family / Wildwood Flower

    1928 · Victor

    Maybelle Carter's thumb-and-fingers guitar style, invented on this record and copied by everyone since. The Bristol sessions in one performance.

  5. Jimmie Rodgers / Blue Yodel No. 1 (T for Texas)

    1927 · Victor

    The Singing Brakeman doing blues verses with a Swiss yodel on top, which should not work. The other half of Bristol, and the more musically promiscuous half.

  6. Patsy Cline / Crazy

    1961 · Decca

    Willie Nelson wrote it as a talking blues and Cline sang it as a torch song over his objections. She was right, and it is the finest vocal in the genre.

  7. George Jones / He Stopped Loving Her Today

    1980 · Epic

    A man loves a woman until he dies, and the song waits until the last verse to tell you that is the joke. Jones thought it was too morbid to release.

  8. Loretta Lynn / Coal Miner's Daughter

    1970 · Decca

    Autobiography with the specifics left in — the washboard, the Bible, the shoes. Country's habit of plain reporting, at its most disciplined.

  9. Townes Van Zandt / Pancho and Lefty

    1972

    The outlaw song as elegy, by a writer too difficult for Nashville to handle directly. Willie and Merle later had the hit; this is the version with the grain in it.