The 9 best Dancehall tracks of all time
Dancehall
Reggae with the band replaced by a riddim and the singer replaced by a deejay. From 1979 the rhythm track became a shared public asset that dozens of records were built on, which is a distribution model as much as a sound.
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Sister Nancy / Bam Bam
The most sampled record in this list by an enormous margin, and its author was paid nothing for decades. Effortless, funny, endlessly quotable, and it never once raises its voice.
Yellowman / Zungguzungguguzungguzeng
A melody so contagious that Biggie, Nas and half of hip-hop borrowed it without discussion. Yellowman turned an unpronounceable title into the genre's most recognisable hook.
Tenor Saw / Ring the Alarm
The Stalag riddim's definitive vocal, cut by a nineteen-year-old who was dead within three years. Urgency is easy to fake and impossible to manufacture, and this is the real thing.
Shabba Ranks / Dem Bow
Included for what happened next: the Bobby Digital rhythm underneath it was recut in Panama and Puerto Rico until it became the default pulse of reggaeton. One riddim, one hemisphere.
Chaka Demus & Pliers / Murder She Wrote
The Bam Bam riddim again, twenty years on, and the record that made dancehall a fixture of British radio. Singer and deejay trading lines is the form's most durable arrangement.
Shaggy / Boombastic
Enormously silly and technically immaculate. Shaggy's timing is the reason this works where a hundred imitations did not, and it sold dancehall to people who owned no other dancehall records.
Beenie Man / Who Am I
The Playground riddim, and a deejay operating at the absolute peak of his powers. Beenie phrases behind the beat with the confidence of someone who knows the rhythm will wait.
Vybz Kartel / Clarks
Three minutes about shoes that reportedly emptied Jamaica's supply of them. Kartel's ear for the specific detail is what separates dancehall writing at its best from a list of boasts.