The 8 best Dream Pop tracks of all time
Dream Pop
Post-punk's guitar textures turned towards beauty rather than tension, with the voice mixed as another instrument and the reverb doing the emotional work. The step between Joy Division and My Bloody Valentine.
Autoplay · All 8 play here · plays through and starts again
Swipe the list left or right to move through the queue
/
This Mortal Coil / Song to the Siren
Elizabeth Fraser and Robin Guthrie covering Tim Buckley, with almost nothing behind the voice but a treated guitar. The record that told a whole label what it was for.
Cocteau Twins / Pearly-Dewdrops' Drops
Fraser singing words that are mostly not words, over a guitar tuned to something like happiness. Meaning is carried entirely by timbre, and it works better than most lyrics do.
Mazzy Star / Fade into You
Slide guitar, tambourine, and Hope Sandoval singing as though the microphone were slightly too far away. The genre's one genuine hit, and it earned it by refusing to hurry.
AR Kane / A Love from Outer Space
The band who coined the phrase, making something considerably stranger than the phrase suggests — dub space, atonal guitar and a pop melody, all at once.
Galaxie 500 / Tugboat
Three chords, a wobbling vocal and Kramer's production leaving air around everything. Amateurism used deliberately, and it produces a tenderness no competent band could reach.
The Church / Under the Milky Way
An Australian band writing the most durable chorus in the style, with a bagpipe-synth solo nobody would sanction today. It is on this list because it is simply too good to leave off.
Julee Cruise / Falling
Badalamenti's arrangement, Lynch's words, Cruise's voice placed somewhere just behind the listener. Television theme, dream pop's purest recording, and an unnerving thing to hear alone.
Beach House / Space Song
Thirty years on, the formula intact and delivered with total confidence. Proof that dream pop became a set of tools rather than a period, and that the tools still work.