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The 8 best G-Funk tracks of all time

G-Funk

Los Angeles hip-hop rebuilt around slow tempos, a whining Moog lead and Parliament basslines played live rather than sampled. From 1992 it was the commercial centre of rap and the most sonically relaxed music ever made about violence.

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  1. Dr. Dre featuring Snoop Doggy Dogg / Nuthin' but a "G" Thang

    1992 · Death Row

    A Leon Haywood loop, a synth whine and two people sounding entirely untroubled. The template, delivered so completely on the first attempt that the genre spent five years elaborating it.

  2. Ice Cube / It Was a Good Day

    1992 · Priority

    The Isley Brothers under a lyric that lists ordinary things not going wrong. The most affecting record in West Coast rap, and it achieves that entirely by describing an absence.

  3. Warren G & Nate Dogg / Regulate

    1994 · Death Row

    A Michael McDonald sample, a story told in alternating verses, and Nate Dogg singing hooks nobody else could have sold. Perfect construction from beginning to end.

  4. Snoop Doggy Dogg / Gin and Juice

    1993 · Death Row

    Snoop's timing is the whole record — behind the beat, unhurried, audibly enjoying himself. Rap's most relaxed vocal performance sits on top of Dre's most disciplined arrangement.

  5. 2Pac featuring Dr. Dre / California Love

    1995 · Death Row

    A Joe Cocker interpolation, a talkbox and Shakur newly out of prison. The genre at maximum scale, and the last moment before the whole enterprise turned tragic.

  6. DJ Quik / Tonite

    1991 · Profile

    A year early and technically ahead of everybody. Quik played and mixed his own records, and the swing on this one is finer than anything Death Row managed.

  7. Luniz / I Got 5 on It

    1995 · Noo Trybe

    Oakland rather than Los Angeles, and proof that the sound had escaped one label's control. The Club Nouveau flute loop is one of rap's most recognisable four bars.

  8. Coolio / Fantastic Voyage

    1994 · Tommy Boy

    The genre's warmest record, built on a Lakeside disco song and pointed at escape rather than territory. Included because g-funk is remembered as menacing and was frequently nothing of the kind.