Waxonia
Filters

The 8 best Kwaito tracks of all time

Kwaito

House music slowed to a walking pace in Johannesburg townships in the first years after apartheid, with the vocal shifted from singing to a half-spoken chant in tsotsitaal. The sound of a generation that had just been given a country.

Autoplay · 7 of 8 play here · plays through and starts again

  1. Arthur Mafokate / Kaffir

    1995

    A dance record built around a plea not to be called a slur, and the first real controversy of the new South Africa. Sold over half a million copies and defined what the genre was allowed to be about.

  2. M'du Masilela / Tsiki Tsiki

    1994

    From the debut of the producer the scene calls the godfather. The template arrives here: house architecture, township tempo, and a vocal that talks rather than sings.

  3. Mandoza / Nkalakatha

    2000

    The record that crossed every line the country still had. A kwaito track adopted by rugby crowds and suburbs alike, and the closest thing post-apartheid South Africa had to a shared anthem.

  4. Brenda Fassie / Vulindlela

    1997

    Not strictly kwaito and impossible to leave out. Fassie was already a star when the genre arrived, and she absorbed it into the biggest South African record of the decade.

  5. TKZee / Shibobo

    1998

    Recorded with the footballer Benni McCarthy for the World Cup, and far better than that description promises. TKZee brought rock dynamics and real songwriting to a form built on loops.

  6. Boom Shaka / It's About Time

    1993

    The group that made kwaito a pop proposition rather than a producer's genre, and took the criticism for it. Everything the scene later argued about is already latent here.

  7. Mashamplani / Vokol as Niks

    1995

    Mdu's group at their most functional — a chant, a bassline and no interest in a chorus. Kwaito working exactly as designed, with nothing added for the radio.

    No verified video yet · not in the queue

  8. Zola / Mdlwembe

    2000

    The hardest voice the genre produced, from Soweto, delivered with a seriousness that made the party records around it sound like a first draft.