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The 9 best Psychedelic Rock tracks of all time

Psychedelic Rock

Rock reorganised around the studio and the drug, from 1966: backwards tape, modal drones, guitars through everything available, and songs allowed to run as long as they liked. The permission slip krautrock and shoegaze both cashed.

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  1. The Beatles / Tomorrow Never Knows

    1966 · Parlophone

    One chord, five tape loops, a drum pattern lifted from nowhere and a vocal sent through a rotating speaker. The most radical thing on any pop record of the decade, at the end of side two.

  2. Pink Floyd / Interstellar Overdrive

    1967 · Columbia

    Nine minutes that begin as a riff and disintegrate into pure texture before reassembling. Barrett's Floyd were a genuinely improvising band and this is the surviving evidence.

  3. The Jimi Hendrix Experience / Purple Haze

    1967 · Track

    The tritone intro, the Octavia on the solo, and a guitarist who had obviously arrived from somewhere the rest of them had not. Still sounds like an event.

  4. The Byrds / Eight Miles High

    1966 · Columbia

    Coltrane's Impressions played on a twelve-string Rickenbacker, on a single, before anyone else had thought of it. Banned by American radio for a lyric about a flight.

  5. The Velvet Underground / Venus in Furs

    1967 · Verve

    An ostrich-tuned guitar, a viola drone and a subject nobody was putting on records. New York's answer to California, and considerably less interested in enjoying itself.

  6. Jefferson Airplane / White Rabbit

    1967 · RCA Victor

    A boléro that only ever gets louder, with a lyric that dares broadcasters to work out what it is about. Grace Slick's delivery is pure controlled threat.

  7. The Rolling Stones / 2000 Light Years from Home

    1967 · Decca

    From the album everyone agrees was a mistake, and it is superb — a Mellotron drifting over a rhythm section that has clearly stopped caring about the blues.

  8. Cream / Sunshine of Your Love

    1967 · Reaction

    The heaviest riff of the era and a drummer playing against it rather than with it. The point where psychedelia starts turning into something louder and less interested in colour.

  9. Grateful Dead / Dark Star

    1969 · Warner Bros.

    Twenty-three minutes on record and considerably longer in a hall. A band treating a song as a location to be explored, which is either the best or the worst idea in this list.