Waxonia
Filters

The 10 best Shoegaze tracks of all time

Shoegaze

Guitar bands who buried the song under effects pedals and sang like they were in the next room. Named as an insult by the British music press in 1990, and reclaimed by roughly every guitar band since.

Autoplay · All 10 play here · plays through and starts again

  1. My Bloody Valentine / Only Shallow

    1991 · Creation

    Four snare hits and then the most disorienting guitar sound ever pressed to record. Kevin Shields bent pitch with a tremolo arm until the instrument stopped behaving like a guitar.

  2. My Bloody Valentine / Soon

    1990 · Creation

    A dance groove underneath a wall of detuned noise. Brian Eno called it the vaguest music ever to have been a hit, and meant it as the compliment it is.

  3. Slowdive / Alison

    1993 · Creation

    Savaged on release and now the genre's most beloved song. The guitars shimmer rather than roar, and the melody underneath survives every layer piled on it.

  4. Ride / Vapour Trail

    1990 · Creation

    A string coda arrives in the last minute and reframes everything before it. The most conventionally beautiful song the scene produced, and the least afraid of being one.

  5. Cocteau Twins / Cherry-Coloured Funk

    1990 · 4AD

    Elizabeth Fraser sings in a language she invented and communicates more than most lyricists manage in English. The template shoegaze spent a decade chasing.

  6. The Jesus and Mary Chain / Just Like Honey

    1985 · Blanco y Negro

    A Ronettes drum intro drowned in feedback. Predates the scene by years and supplies its founding idea: bury a perfect pop song and let people dig.

  7. Slowdive / Souvlaki Space Station

    1993 · Creation

    Dub techniques applied to guitar music, with Eno's fingerprints somewhere in the background. The most spatially adventurous thing anyone in the scene attempted.

  8. Chapterhouse / Pearl

    1991 · Dedicated

    A sampled breakbeat welded to a wall of guitars, years before anyone called that a genre. Shoegaze's most convincing argument that it belonged on a dancefloor.

  9. Lush / De-Luxe

    1990 · 4AD

    Miki Berenyi and Emma Anderson's harmonies cut through the haze rather than dissolving into it, which made Lush the scene's sharpest songwriters by some distance.

  10. Swervedriver / Duel

    1993 · Creation

    Shoegaze with actual muscle and an American road-movie sensibility. Heavier than its peers and unfairly overlooked because it refused to sound fragile.