Waxonia
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Recording

Chhaap Tilak Sab ChheeniAmir Khusrau

Released
1300
On one list
Qawwali
Updated
2026-08-30

Analysis

8 sections, the first drop of 6 at 0:11, 4% of the way in.

Tempo
103.4 BPM
holds throughout
Key
F# minor
estimated from the pitch content
Dynamic range
1.3 dB
compressed hard — very little between the quiet and the loud
Length
4:28
measured from the YouTube master

The record, end to end

energy
drums
bass
vocals
other
  1. 0:00Aintro0
  2. 0:13Bpeakbar 6
  3. 0:39Cpeakbar 17
  4. 1:05Dpeakbar 29
  5. 1:17Csteadybar 34
  6. 1:58Bsteadybar 51
  7. 2:59Bpeakbar 77
  8. 3:40Coutrobar 95

Drops at 0:11 (bar 5), 0:45 (bar 20), 1:37 (bar 42), 2:29 (bar 65), 3:38 (bar 94), 4:10 (bar 108). A drop is a moment, not a stretch — marked on the track above rather than shaded across it.

0:00 · A · intro

opens the record below its own average energy · sung

Lasts
0:13
Energy
0
Brightness
100
Density
0
  • drums
  • bass
  • vocals
  • other

Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.

Separated into parts by a source-separation model, so each lane is the instrument it names.

drums
the drum kit, separated from the mix
bass
the bass part, separated from the mix
vocals
the voice, separated from the mix
other
everything else — synths, guitars, keys, strings
intro
opens the record below its own average energy
peak
sits at the top of this record's range
steady
holding a level — the groove, neither rising nor falling
outro
the closing fall
Every moment against every other. Squares on the diagonal are sections; a bright patch off it is the record recognising itself — the second chorus meeting the first.

Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.

  1. Ranked No. 1 in Qawwali

    Written by the man usually credited with inventing the form, welding Persian, Arabic, Turkic and Indian singing into one thing. Seven hundred years later every qawwal party still has it in the set.