Recording
Estarabim
Erkin Koray
- Released
- 1974
- On one list
- Anadolu Rock
- Updated
- 2026-08-31
Analysis
12 sections, the first drop of 5 at 0:49, 16% of the way in, 38% of it spent climbing.
- Tempo
- 92.3 BPM
- holds throughout
- Key
- G minor
- estimated from the pitch content
- Dynamic range
- 5.5 dB
- moderate range, typical of a modern master
- Length
- 5:12
- measured from the YouTube master
The record, end to end
Click the track to jump · ← → move between sections
- 0:00Aintro0
- 0:13Bbuildbar 5
- 0:49Cbuildbar 19
- 1:33Csteadybar 36
- 1:46Dbreakdownbar 41
- 1:59Bbuildbar 46
- 2:35Cliftbar 60
- 3:32Cbreakdownbar 82
- 3:45Dpeakbar 87
- 4:05Bbreakdownbar 94
- 4:24Bbreakdownbar 102
- 4:35Csteadybar 106
Drops at 0:49 (bar 19), 2:08 (bar 49), 2:35 (bar 60), 3:45 (bar 87), 4:34 (bar 106). A drop is a moment, not a stretch — marked on the track above rather than shaded across it.
0:00 · A · intro
opens the record below its own average energy · instrumental
- Lasts
- 0:13
- Energy
- 0
- Brightness
- 8
- Density
- 57
- drums
- bass
- vocals
- other
energy and brightness climbing without a break · instrumental · one of 4 stretches of the same music (B)
- Lasts
- 0:37
- Energy
- 57
- Brightness
- 22
- Density
- 35
- drums
- bass
- vocals
- other
energy and brightness climbing without a break · sung · one of 5 stretches of the same music (C)
- Lasts
- 0:44
- Energy
- 75
- Brightness
- 40
- Density
- 24
- drums
- bass
- vocals
- other
holding a level — the groove, neither rising nor falling · sung · one of 5 stretches of the same music (C)
- Lasts
- 0:13
- Energy
- 77
- Brightness
- 0
- Density
- 23
- drums
- bass
- vocals
- other
energy falling away mid-record, percussion thinning · instrumental · one of 2 stretches of the same music (D)
- Lasts
- 0:12
- Energy
- 3
- Brightness
- 47
- Density
- 100
- drums
- bass
- vocals
- other
energy and brightness climbing without a break · instrumental · one of 4 stretches of the same music (B)
- Lasts
- 0:37
- Energy
- 65
- Brightness
- 49
- Density
- 30
- drums
- bass
- vocals
- other
a short rise that does not resolve — a fill or a transition, not a build · sung · one of 5 stretches of the same music (C)
- Lasts
- 0:57
- Energy
- 76
- Brightness
- 26
- Density
- 22
- drums
- bass
- vocals
- other
energy falling away mid-record, percussion thinning · instrumental · one of 5 stretches of the same music (C)
- Lasts
- 0:13
- Energy
- 16
- Brightness
- 15
- Density
- 78
- drums
- bass
- vocals
- other
sits at the top of this record's range · instrumental · one of 2 stretches of the same music (D)
- Lasts
- 0:19
- Energy
- 100
- Brightness
- 8
- Density
- 23
- drums
- bass
- vocals
- other
energy falling away mid-record, percussion thinning · instrumental · one of 4 stretches of the same music (B)
- Lasts
- 0:19
- Energy
- 51
- Brightness
- 88
- Density
- 22
- drums
- bass
- vocals
- other
energy falling away mid-record, percussion thinning · sung · one of 4 stretches of the same music (B)
- Lasts
- 0:11
- Energy
- 21
- Brightness
- 58
- Density
- 0
- drums
- bass
- vocals
- other
holding a level — the groove, neither rising nor falling · instrumental · one of 5 stretches of the same music (C)
- Lasts
- 0:37
- Energy
- 31
- Brightness
- 100
- Density
- 9
- drums
- bass
- vocals
- other
Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.
- drums
- the drum kit, separated from the mix
- bass
- the bass part, separated from the mix
- vocals
- the voice, separated from the mix
- other
- everything else — synths, guitars, keys, strings
Separated into parts by a source-separation model, so each lane is the instrument it names.
- intro
- opens the record below its own average energy
- build
- energy and brightness climbing without a break
- steady
- holding a level — the groove, neither rising nor falling
- breakdown
- energy falling away mid-record, percussion thinning
- lift
- a short rise that does not resolve — a fill or a transition, not a build
- peak
- sits at the top of this record's range
Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.
Ranked No. 1 in Anadolu Rock
From Elektronik Türküler, and the record that settles the argument. Koray built himself an electric saz because no guitar would give him the intervals he wanted.