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Recording

Machine GunNoisia

Released
2010
Label
Division / mau5trap
On one list
Drum and Bass
ISRC
NLCK41002420
Updated
2026-08-28

Analysis

9 sections, no single moment the energy jumps to.

Key
Ab minor
estimated from the pitch content
Dynamic range
6.2 dB
moderate range, typical of a modern master
Length
5:20
measured from the YouTube master

The record, end to end

energy
drums
bass
vocals
other
  1. 0:00Aintro0
  2. 0:29Bliftbar 16
  3. 1:01Cbreakdownbar 33
  4. 1:23Dpeakbar 45
  5. 2:51Dsteadybar 92
  6. 3:05Cbreakdownbar 100
  7. 3:22Dpeakbar 109
  8. 4:31Dsteadybar 146
  9. 5:03Coutrobar 163

0:00 · A · intro

opens the record below its own average energy · instrumental

Lasts
0:29
Energy
33
Brightness
27
Density
83
  • drums
  • bass
  • vocals
  • other

Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.

Separated into parts by a source-separation model, so each lane is the instrument it names.

drums
the drum kit, separated from the mix
bass
the bass part, separated from the mix
vocals
the voice, separated from the mix
other
everything else — synths, guitars, keys, strings
intro
opens the record below its own average energy
lift
a short rise that does not resolve — a fill or a transition, not a build
breakdown
energy falling away mid-record, percussion thinning
peak
sits at the top of this record's range
steady
holding a level — the groove, neither rising nor falling
outro
the closing fall
Every moment against every other. Squares on the diagonal are sections; a bright patch off it is the record recognising itself — the second chorus meeting the first.

Against Drum and Bass

Measured against 13 Drum and Bass records.

9 sections here; 9 is typical.

Drawn from the 13 records on our Drum and Bass list we have measured. The line over the energy curve above is that median.

Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.

  1. Ranked No. 15 in Drum and Bass

    Neurofunk's technical ceiling. The bass is processed past the point of recognition into something percussive and physical, and it still grooves.