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Renegade SnaresOmni Trio

Independently chosen for2 of our lists. Here is what each of them said.

Released
1993
Label
Moving Shadow
On
Drum and Bass and The Waxonia Desk — The Hundred
ISRC
GBAGN9300093
Updated
2026-08-29
Search Spotify (platform search — exact link pending) (opens in a new tab)YouTube Music (opens in a new tab)

  1. Ranked No. 3 in Drum and Bass

    The Foul Play remix is the blueprint: rolling Amen edits, a piano hook with real melancholy, and the discovery that breakbeat could be beautiful rather than only violent.

  2. Picked by The Waxonia Desk — The Hundred

    Jungle's prettiest record and its most technically alarming, at the same time. The breaks are chopped past the point of sense and the piano does not care.

Analysis

12 sections, the first drop of 2 at 3:05, 56% of the way in.

Tempo
161.5 BPM
holds throughout
Key
Bb minor
estimated from the pitch content
Dynamic range
6.7 dB
moderate range, typical of a modern master
Length
5:31
measured from the YouTube master

The record, end to end

energy
drums
bass
vocals
other
  1. 0:00Aintro0
  2. 0:52Bpeakbar 35
  3. 1:36Apeakbar 64
  4. 1:49Bpeakbar 73
  5. 2:15Cpeakbar 91
  6. 2:38Dbreakdownbar 107
  7. 3:01Bbuildbar 122
  8. 3:24Bpeakbar 137
  9. 3:49Apeakbar 154
  10. 4:01Cpeakbar 163
  11. 4:26Dbreakdownbar 179
  12. 4:39Asteadybar 188

Drops at 3:05 (bar 124), 4:38 (bar 188). A drop is a moment, not a stretch — marked on the track above rather than shaded across it.

0:00 · A · intro

opens the record below its own average energy · instrumental · one of 4 stretches of the same music (A)

Lasts
0:52
Energy
69
Brightness
38
Density
100
  • drums
  • bass
  • vocals
  • other

Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.

Separated into parts by a source-separation model, so each lane is the instrument it names.

drums
the drum kit, separated from the mix
bass
the bass part, separated from the mix
vocals
the voice, separated from the mix
other
everything else — synths, guitars, keys, strings
intro
opens the record below its own average energy
peak
sits at the top of this record's range
breakdown
energy falling away mid-record, percussion thinning
build
energy and brightness climbing without a break
steady
holding a level — the groove, neither rising nor falling
Every moment against every other. Squares on the diagonal are sections; a bright patch off it is the record recognising itself — the second chorus meeting the first.

Against Drum and Bass

Drum and Bass usually drops 16% in; this one waits until 56%.

12 sections here; 9 is typical.

Drawn from the 13 records on our Drum and Bass list we have measured. The line over the energy curve above is that median.

Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.