Recording
Slob on My Knob
Tear Da Club Up Thugs
- Released
- 1999
- On one list
- Memphis Rap
- Updated
- 2026-08-31
Analysis
5 sections, the first drop of 3 at 0:07, 3% of the way in.
- Key
- Eb minor
- estimated from the pitch content
- Dynamic range
- 4.3 dB
- compressed hard — very little between the quiet and the loud
- Length
- 4:03
- measured from the YouTube master
The record, end to end
Click the track to jump · ← → move between sections
- 0:00Aintro0
- 0:47Apeakbar 17
- 1:04Apeakbar 23
- 1:58Bbreakdownbar 43
- 3:42Boutrobar 80
Drops at 0:07 (bar 3), 1:09 (bar 25), 2:06 (bar 45). A drop is a moment, not a stretch — marked on the track above rather than shaded across it.
0:00 · A · intro
opens the record below its own average energy · sung · one of 3 stretches of the same music (A)
- Lasts
- 0:47
- Energy
- 85
- Brightness
- 56
- Density
- 0
- drums
- bass
- vocals
- other
sits at the top of this record's range · instrumental · one of 3 stretches of the same music (A)
- Lasts
- 0:17
- Energy
- 100
- Brightness
- 100
- Density
- 100
- drums
- bass
- vocals
- other
sits at the top of this record's range · sung · one of 3 stretches of the same music (A)
- Lasts
- 0:54
- Energy
- 96
- Brightness
- 54
- Density
- 12
- drums
- bass
- vocals
- other
energy falling away mid-record, percussion thinning · instrumental · one of 2 stretches of the same music (B)
- Lasts
- 1:43
- Energy
- 49
- Brightness
- 13
- Density
- 69
- drums
- bass
- vocals
- other
the closing fall · instrumental · one of 2 stretches of the same music (B)
- Lasts
- 0:21
- Energy
- 0
- Brightness
- 0
- Density
- 8
- drums
- bass
- vocals
- other
Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.
- drums
- the drum kit, separated from the mix
- bass
- the bass part, separated from the mix
- vocals
- the voice, separated from the mix
- other
- everything else — synths, guitars, keys, strings
Separated into parts by a source-separation model, so each lane is the instrument it names.
- intro
- opens the record below its own average energy
- peak
- sits at the top of this record's range
- breakdown
- energy falling away mid-record, percussion thinning
- outro
- the closing fall
Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.
Ranked No. 1 in Memphis Rap
Originally a 1992 Juicy J tape track, and one of the most quoted verses in Southern rap. The triplet flow here is what Migos was doing twenty years later.