Recording
She Loves You
The Beatles
Independently chosen for2 of our lists. Here is what each of them said.
- Released
- 1963
- Label
- Parlophone
- On
- Merseybeat and Twice Over
- Updated
- 2026-08-31
Analysis
2 sections, the first drop of 2 at 0:03, 2% of the way in.
- Tempo
- 152 BPM
- holds throughout
- Dynamic range
- 2.4 dB
- compressed hard — very little between the quiet and the loud
- Length
- 2:18
- measured from the YouTube master
The record, end to end
Click the track to jump · ← → move between sections
- 0:00Apeak0
- 2:02Boutrobar 78
Drops at 0:03 (bar 2), 2:05 (bar 80). A drop is a moment, not a stretch — marked on the track above rather than shaded across it.
0:00 · A · peak
sits at the top of this record's range · sung
- Lasts
- 2:02
- Energy
- 100
- Brightness
- 100
- Density
- 100
- drums
- bass
- vocals
- other
the closing fall · sung
- Lasts
- 0:16
- Energy
- 0
- Brightness
- 0
- Density
- 0
- drums
- bass
- vocals
- other
Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.
- drums
- the drum kit, separated from the mix
- bass
- the bass part, separated from the mix
- vocals
- the voice, separated from the mix
- other
- everything else — synths, guitars, keys, strings
Separated into parts by a source-separation model, so each lane is the instrument it names.
- peak
- sits at the top of this record's range
- outro
- the closing fall
Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.
Ranked No. 1 in Merseybeat
The best-selling British single of the sixties, and structurally strange — it opens on the chorus and ends on a sixth chord George Martin thought was corny. Two years from Hamburg to this.
Picked by Twice Over
The most efficient two minutes in the ranking it sits in — a band still young enough to think the job was to make somebody scream. Nothing here predicts either of the next two entries, which is precisely why they are worth putting beside it.