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Romping ShopVybz Kartel & Spice

Released
2008
On one list
Daggering
Updated
2026-08-29
  1. Ranked No. 1 in Daggering

    Built on Ne-Yo's Miss Independent without asking, then recalled by EMI's lawyers and re-cut over a riddim of its own. In the weeks between the two versions a schoolteacher's newspaper column reached the Broadcasting Commission, and the February 2009 ban followed. The best record here, and the one that ended the run.

Analysis

8 sections, no single moment the energy jumps to.

Tempo
112.3 BPM
holds throughout
Dynamic range
1.2 dB
compressed hard — very little between the quiet and the loud
Length
3:34
measured from the YouTube master

The record, end to end

energy
drums
bass
vocals
other
  1. 0:00Apeak0
  2. 0:48Bsteadybar 23
  3. 1:08Apeakbar 32
  4. 1:31Bpeakbar 43
  5. 2:14Apeakbar 63
  6. 2:38Cbreakdownbar 74
  7. 3:00Apeakbar 85
  8. 3:23Doutrobar 95

0:00 · A · peak

sits at the top of this record's range · sung · one of 4 stretches of the same music (A)

Lasts
0:48
Energy
98
Brightness
31
Density
75
  • drums
  • bass
  • vocals
  • other

Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.

Separated into parts by a source-separation model, so each lane is the instrument it names.

drums
the drum kit, separated from the mix
bass
the bass part, separated from the mix
vocals
the voice, separated from the mix
other
everything else — synths, guitars, keys, strings
peak
sits at the top of this record's range
steady
holding a level — the groove, neither rising nor falling
breakdown
energy falling away mid-record, percussion thinning
outro
the closing fall
Every moment against every other. Squares on the diagonal are sections; a bright patch off it is the record recognising itself — the second chorus meeting the first.

Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.