Cambodian Rock
The 6 Best Cambodian Rock
Tracks of All Time
Phnom Penh in the years before 1975, where Khmer vocal ornament met surf guitar, garage organ and Latin rhythms heard on American Forces radio. Almost every musician on this list was murdered by the Khmer Rouge.
- Origin
- Phnom Penh, Cambodia, 1968
- Tempo
- 90–150 BPM
- Also known as
- khmer rock, cambodian psych, phnom penh sound
- Tracks
- 6
- Updated
- 2026-08-31
Listen to the whole list
Play it through here →One record after another, with the verdicts
Take 4 of 6 to YouTube → (opens in a new tab)
Opens the list on YouTube as a playlist you can save to your own account. We never see your account, and nothing is stored here. 2 of these records have no verified YouTube link yet, so they are left out rather than guessed at.
Number 1: Ros Serey Sothea / Chnam Oun Dop-Pram Muy
1970
"I'm Sixteen." A voice of extraordinary clarity over a garage band, and the most widely heard Cambodian record of the era. She disappeared under the Khmer Rouge and no grave is known.
Number 2: Sinn Sisamouth / Jam 10 Kai Theit
1972
The King of Khmer Music, who recorded hundreds of songs and whose death in 1975 or 1976 is undocumented. A crooner's phrasing over a rock rhythm section.
Number 3: Yol Aularong / Cyclo
1974
The scene's punk, snarling about layabouts over a garage riff. Rougher than anything else here and audibly aware that time was running out.
Number 4: Pan Ron / Old Pot Still Cooks Good Rice
1973
Pan Ron sang the risqué material Ros Serey Sothea would not, with a raspier delivery and a wicked sense of timing. Also killed.
Number 5: Ros Serey Sothea / Have You Seen My Boyfriend
1972
A go-go rhythm, a farfisa, and a melody that would sit comfortably in a Khmer wedding song. The synthesis working at its most effortless.
Number 6: Sinn Sisamouth / Kingdom of Cambodia
1969
Recorded when the country was still at peace and the scene was the best in Southeast Asia. Hearing it now is not a neutral experience.