Recording
Chnam Oun Dop-Pram Muy
Ros Serey Sothea
- Released
- 1970
- On one list
- Cambodian Rock
- Updated
- 2026-08-31
Analysis
5 sections, no single moment the energy jumps to.
- Tempo
- 107.7 BPM
- holds throughout
- Dynamic range
- 3 dB
- compressed hard — very little between the quiet and the loud
- Length
- 3:17
- measured from the YouTube master
The record, end to end
Click the track to jump · ← → move between sections
- 0:00Aintro0
- 0:14Bliftbar 6
- 2:04Bsteadybar 56
- 2:34Bsteadybar 69
- 3:05Cpeakbar 83
0:00 · A · intro
opens the record below its own average energy · sung
- Lasts
- 0:14
- Energy
- 0
- Brightness
- 0
- Density
- 100
- drums
- bass
- vocals
- other
a short rise that does not resolve — a fill or a transition, not a build · sung · one of 3 stretches of the same music (B)
- Lasts
- 1:50
- Energy
- 46
- Brightness
- 100
- Density
- 81
- drums
- bass
- vocals
- other
holding a level — the groove, neither rising nor falling · sung · one of 3 stretches of the same music (B)
- Lasts
- 0:31
- Energy
- 34
- Brightness
- 94
- Density
- 77
- drums
- bass
- vocals
- other
holding a level — the groove, neither rising nor falling · sung · one of 3 stretches of the same music (B)
- Lasts
- 0:31
- Energy
- 75
- Brightness
- 71
- Density
- 67
- drums
- bass
- vocals
- other
sits at the top of this record's range · sung
- Lasts
- 0:12
- Energy
- 100
- Brightness
- 12
- Density
- 0
- drums
- bass
- vocals
- other
Brightness and density are scored against this record's own sections, not against music in general — they say how its parts differ from each other, and nothing about how it compares to anything else.
- drums
- the drum kit, separated from the mix
- bass
- the bass part, separated from the mix
- vocals
- the voice, separated from the mix
- other
- everything else — synths, guitars, keys, strings
Separated into parts by a source-separation model, so each lane is the instrument it names.
- intro
- opens the record below its own average energy
- lift
- a short rise that does not resolve — a fill or a transition, not a build
- steady
- holding a level — the groove, neither rising nor falling
- peak
- sits at the top of this record's range
Measured from the YouTube master on . Section labels describe how the energy of the recording moves, not its musical form — a machine can see loudness climb and jump, it cannot hear a chorus arrive. Anything we were not confident enough to state is left out rather than shown with a caveat.
Ranked No. 1 in Cambodian Rock
"I'm Sixteen." A voice of extraordinary clarity over a garage band, and the most widely heard Cambodian record of the era. She disappeared under the Khmer Rouge and no grave is known.