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The 15 best Drum and Bass tracks of all time

Drum and Bass

Breakbeat-driven dance music built on chopped Amen breaks at 160-180 BPM over sub-bass, born from UK hardcore and jungle in the early nineties and still the most rhythmically inventive music the country has produced.

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  1. Goldie / Inner City Life

    1994 · FFRR / Metalheadz

    The record that proved jungle could carry grief. Diane Charlemagne's vocal floats over breaks chopped into timestretched dust, and the whole genre grew up in six minutes.

  2. Shy FX & UK Apache / Original Nuttah

    1994 · SOUR

    Jungle's national anthem. Ragga vocal, air-horn, and a breakdown that still empties the bar and fills the floor thirty years on. Nothing else sounds this much like a specific place and year.

  3. Omni Trio / Renegade Snares

    1993 · Moving Shadow

    The Foul Play remix is the blueprint: rolling Amen edits, a piano hook with real melancholy, and the discovery that breakbeat could be beautiful rather than only violent.

  4. LTJ Bukem / Music

    1993 · Good Looking

    Where atmospheric drum and bass begins. Bukem swapped darkness for Rhodes chords and open space, and invented an entire strand of the genre that is still being mined.

  5. Roni Size / Reprazent / Brown Paper Bag

    1997 · Talkin' Loud

    The double bass line that carried drum and bass to the Mercury Prize and a general audience without softening a single edge of the drum programming.

  6. Photek / Ni Ten Ichi Ryu

    1997 · Science

    Drum programming as swordsmanship. Photek treated the breakbeat as pure percussion sculpture, and no producer since has matched this level of rhythmic detail per bar.

    No verified video yet · not in the queue

  7. Alex Reece / Pulp Fiction

    1995 · Metalheadz

    The moment the two-step beat arrived and the genre stopped running. Half the tempo in feel, all of it in fact — a rhythmic trick that reshaped everything that followed.

  8. Dillinja / The Angels Fell

    1995 · Metalheadz

    Dillinja's bass weight is the reference standard, and this is the track where the sub stops being an accompaniment and becomes the lead instrument.

  9. 4hero / Mr Kirk's Nightmare

    1990 · Reinforced

    Predates the genre proper and contains its DNA anyway: a sampled police death notification over hardcore breaks. The dread that jungle inherited starts here.

    No verified video yet · not in the queue

  10. Adam F / Circles

    1995 · Section 5

    Jazz-inflected, immaculately mixed, and the record most often used to prove to sceptics that drum and bass is composed music rather than assembled music.

  11. Ed Rush & Optical / Bacteria

    1998 · Virus

    Techstep at its most malevolent. Distorted, mechanical and airless — this is the sound that pushed the genre out of jazz clubs and into something genuinely frightening.

  12. High Contrast / Return of Forever

    2002 · Hospital

    Liquid funk's finest hour. Soul samples and euphoric strings over rolling drums, made with enough craft to escape the sentimentality the style usually invites.

  13. Pendulum / Tarantula

    2005 · Breakbeat Kaos

    The pivot to stadium drum and bass, for better and worse. Purists winced, but the production ambition here pulled a generation of new listeners into the genre.

  14. Sub Focus / Timewarp

    2009 · RAM

    Sound design as songwriting. Every element is synthetic and every one of them hooks — the cleanest demonstration of what modern studio technique brought to the form.

  15. Noisia / Machine Gun

    2010 · Division / mau5trap

    Neurofunk's technical ceiling. The bass is processed past the point of recognition into something percussive and physical, and it still grooves.